Atkins, Robert, Straight to Hell: 10 Years of Dyke Action Machine!, (exhibition catalog), 2001
Blake, Nayland, Lawrence Rinder, Amy Scholder, eds., In A Different Light: Visual Culture, Sexual Identity, Queer Practice, City Lights, 1995
Hammond, Harmony, Lesbian Art in America: A Contemporary History, Rizzoli, 2000
Hieber, Lutz and Paula-Irene Villa, Images von Gewicht: Soziale Bewegungen, Queer Theory and Kunst in den USA, Transcript Verlag, Bielefeld, 2007
Lupton, Ellen, Mixing Messages: Graphic Design in Contemporary Culture, Abrams, 1996
McQuiston, Liz, Graphic Agitation 2: Social and Political Graphics in the Digital Age, Phaidon Press, 2004
McQuiston, Liz, Suffragettes to She-Devils: Women’s Liberation and Beyond, Phaidon Press, 1997
Smyth, Cherry, Damn Fine Art by New Lesbian Artists, Cassell, 1996
Straayer, Chris, Deviant Eyes, Deviant Bodies: Sexual Re-Orientations in Film and Video, Columbia University Press, 1996
Turner, Kay, Dear Sappho: Lesbian Love Letters, Past and Present, Thames & Hudson, 1996

Atkins, Robert, “Girls With Wheatpaste and Webspace,” The Media Channel, May 2001
Atkins, Robert, “Scene & Heard,” The Village Voice, July 1994
Becker, Jochen, “Gegenöffentlichkeit hinter Glas,” Die Tageszeitung, June 26, 1999
Becker, Jochen, “Unbehagen der Geschlechter,” Kunstforum International, September-November, 1999
Costello, Devon and Esme Wantanabe, “Ameri©an Dre@m,” NY Arts Magazine, March 24, 2003
Cotter, Holland, “Innovators Burst Onstage One (Ka-pow!) at a Time,” The New York Times, November 10, 2000
Cvetkovich, Ann, “Fierce Pussies and Lesbian Avengers,” Feminist Consequences: Theory for the New Century, Elisabeth Bronfen and Misha Kavka, eds., Columbia University Press, 2001
Deitcher, David, ed., A Question Of Equality: Gay Politics In America Since Stonewall, Scribners, 1995
“Frauen & Gestaltung: Der Kleine Unterschied,” Page, December 1999
Glanz, Alexandra, “Das gesammelte Unbehagen” Hannoversche Allgemeine Zeitung, May 26, 1999
Greenfield, Beth, “Designs on You,” Time Out New York, September 23-30, 2004
Halden, Loann, “Art, Activism and Intimacy,” TWN: The Weekly News, July 8, 2004
Hannaham, James, “Best of the Net: Dyke TV...,” The Village Voice, October 1996
Harris, Elise, “Agit Pop,” Out, July 1996
Haynes, Esther, “They’re Not Sisters,” Jane, December 1999
Ingram, Gordon Brent, “In Search of Queer Space on the Internet,” Border/Lines, Fall 1996
Joselit, David, “Exhibiting Gender,” Art In America, January 1997
Levin, Kim, “Art Listings: Ameri©an Dre@m,” The Village Voice, March 19-25, 2003
Lippy, Tod, “Dial Tone,” Print VI, 1996
Loos, Tod, “Lesbian Poster Girls,” The Advocate, December 22, 1998
Miya-Jervis, Lisa, “Profile: Dyke Action Machine!,” Bitch, Summer 1999
“News From the Loop: Dyke Action Machine...,” Flash Art, Summer 1995
Osman, Jena and Juliana Spahr, eds., “Documentary,” Chain #2, 1995
Rand, Erica, “Troubling Customs,” New Art Examiner, Summer 1998
Reusch, Wera, “I want a dyke for president,” Köln StadtRevue, July 1999
Schlesinger, Toni and Guy Trebay, “Alphabet City,” The Village Voice, December 1998
Schorr, Collier, “Poster Girls,” Artforum, October 1994
Shapiro, Carolyn, “Directed Action,” High Performance, Summer 1995
Siffrin-Peters, Annette, “Vom Unbehagen der Geschlechter” Aachener Nachrichten, May 31, 1999
Simpson, Les, “Tripping Down Memory Lane,” Time Out New York, October 12, 2000
Strong, Lester, ”OUT 100: the Year’s Most Intriguing Gay People,” Out, December 2002
Teckel, Augustina, “D.A.M. Muffiosi,” (Not Only) One, 2000
Tietenberg, Annette, “Überraschung in der Mittagspause,” Frankfurter Allgemeine Zeitung, June 21, 1999
“Unbehagen der Geschlechter im Neuen Aachener Kunstverein,” Kunst-Bulletin, N. 7-8, July/August 1999

Moyer, Carrie, “Do You Love the Dyke In Your Face: Lesbian Street Representation,” Queers In Space, Gordon Brent Ingram, ed., Bay Press, 1997
Moyer, Carrie, “Do You Love the Dyke In Your Face: Lesbian Street Representation,” Lips, Tits, Hits, Power? Popkulture und Feminismus, Annette Baldauf, Katherina Weingartner, eds. Folio Verlag, Vienna, 1998
Moyer, Carrie, “United Society of Believers,” Cultural Politics, Volume 3, Issue 3, November 2007
Moyer, Carrie, “From Margin to Mainstream: Dyke Action Machine!, Public Art and the Recent History of Lesbian Representation,” The Practice of Public Art, Cameron Cartiere and Shelly Willis, eds. Routledge, 2008

MID-CAREER RETROSPECTIVE
2002
Straight to Hell: 10 Years of Dyke Action Machine! Yerba Buena Center for the Arts, San Francisco, CA; Diverseworks, Houston, TX (traveling exhibition with catalog)

GROUP EXHIBITIONS
2008
Reclaiming the “F” Word: Posters on International Feminisms, California State University, Northridge, CA
Break the Rules! Sammlung Hieber/Theising, Mannheimer Kunstverein, Mannheim, Germany
2006
When Artists Say We, Artists Space, New York, NY
2005
Twofold: Collaborations on Campus, Richard L. Nelson Gallery and Fine Arts Collection, University of California, Davis, CA
2004
Republican Like Me, Parlour Projects, Brooklyn, NY
2003
Ameri©an Dre@m: A Survey, Ronald Feldman Fine Arts, New York, NY
Illegal Art: Freedom of Expression in the Corporate Age, CBGB’s 313 Gallery, New York, NY; SFMOMA Artist Gallery, San Francisco, CA
2002
Queer Commodity, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia Raw Womyn, Athens Institute of Contemporary Art, Athens, GA
2000
The Biggest Games in Town, Künstlerwerkstatt Lothringer Strasse, Munich, Germany The Color of Friendship, Shedhalle, Zürich, Switzerland
1999
Gender Trouble, Neuer Aachener Kunstverein, Aachen, Germany
1997
Vraiment: Féminisme et Art, Le Magasin, Centre National D’Art Contemporain de Grenoble, France (catalog)
Revolution Girl-Style, Messepalast/Museumquartier, Vienna, Austria (catalog)
Patriotism, The Lab, San Francisco, CA
1996
Mixing Messages: Graphic Design in Contemporary Culture, Cooper-Hewitt National Design Museum (catalog)
Gender, Fucked, Center on Contemporary Art, Seattle, WA
Portraiture, White Columns, New York, NY
Counterculture: Alternative Information from the Underground Press to the Internet, Exit Art/The First World, New York, NY
1995
In A Different Light, University Art Museum, Berkeley, CA (catalog)
You Are Missing Plenty If You Don’t Buy Here: Images of Consumerism in American Photography, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
Copy-Art, Oldenburg University, Oldenburg, Germany
1994
Amendments, Hallwalls, Buffalo, NY
Becoming Visible: The Legacy of Stonewall, New York Public Library, New York, NY
1993
SILENCE=DEATH, Münchner Stadtmuseum, Munich and Hygiene-Museum, Dresden, Germany Kunst und AIDS, International AIDS Conference, Berlin, Germany